Lent 5 2007 Patrick O'Ferrall

 

My theme today is glimpses of God and is the last in the series of ÒIf I could preach only one sermon this would be it.Ó

So what do we mean when we say we have had a glimpse of God? And how do we get these glimpses?

I want to start with what we read in the Bible about people seeing God. When I use the word seeing I mean not only seeing visually, but also seeing mentally i.e. understanding and having insight. And this is particularly relevant in the Old Testament.

For in the Old Testament certain people are very conscious of GodÕs presence with them but cannot see and indeed dare not see him visually.

God communicates with people in different ways, sometimes through dreams visions or voice. But he keeps out of their direct sight. For example he tells Moses you cannot see my face: for there shall no man see me and live.

Jacob wrestles all night with God, without knowing it is God, and is amazed that he has seen God and lived. Elijah knows God is not in the earthquake wind or fire but is in the still small voice. He wrapped his face in his mantle for his dialogue with God outside the cave, in which he had been hiding.

 

Contrast this with the New Testament and the presence of God in human form Ð Emmanuel God with us. In the gospels we can trace the dawning realisation by the disciples of JesusÕ divinity: like PeterÕs great confession or ThomasÕs my Lord and my God that we have just heard in the gospel.  By his incarnation God showed us in human form how he is and what he wishes us to become.

In Jesus Christ we stand at the point of intersection between the divine and the human.  In Christ we see what God offers to humanity and what humanity can grasp of the divine.

 

One of the major problems is the limitation of our human language and understanding when we try to describe God.

We can think of God existing in a different dimension of being Ð and not confined by time and space as we are. At the same time we are using our concepts of time and space to say that he is not like us Ð he is infinite and eternal.  And it is because a complete understanding of GodÕs nature is beyond our limited human understanding that we can only have glimpses of the divine.

 

A few months ago I heard a very interesting lecture by Margaret Clark at the St Marylebone healing and counselling centre. She is a Christian psychotherapist and her talk was entitled self, ego and God: through the Stained glass window. She talked about a process of finding shades of meaning.

This process could apply to light religion and therapy. I want to describe her thoughts as they apply just to light and religion.

 

Firstly light Ð in her consulting room she has a crystal, which hangs in the window so that it catches the light: when it does so, it acts as a prism, and on the floor on the wall and on the furniture little lozenges of the colour of the rainbow appear.

But until this happens the room is full of white light, which we donÕt notice. WhatÕs more we canÕt easily see it as white or made up of the constituent colours of the rainbow.  She says: Òwe see light as white only when the whole spectrum of colours is reflected back from something white, for instance, the desk in the corner of the room, we donÕt think of it as white or think that the air is full of this light all the time: light only becomes white when it is reflected off something which we call white. Yet it is this, mainly invisible, element, which enables us to see everything else.

 

She believes that this analogy can be applied to religion: God is unseen and until something happens, unknowable like white light.  She says that we get glimpses of God when the effects of God enter our time and space. The equivalent of the prism in the analogy of light is the incarnation. In St JohnÕs gospel Jesus says

Ò He that sees me sees the Father also.Ó

 

There is another approach to God Ð that of the mystics, like St John of the Cross, Mother Julian of Norwich or the author of the Cloud of Unknowing.  For them the filter of the prism or the incarnation is missing.  St John of the Cross wrote: Òour ideas about God are like curtains, that veil the spiritual riches that lie behind them.  Our images of God, even the most beautiful and most powerful, can sabotage our ascent to God.  The problem comes when we begin to think that God is somewhat like these images. In truth they are far from what God is like.Ó  Go by faith alone is St JohnÕs message and by love alone is Mother JulianÕs.

Their idea is to wait for a wordless imageless, conceptless experience of union with God. These two paths to God are not mutually exclusive or contradictory.  Perhaps they suit different people.  Relatively few people can attain the insights of mystics like Mother Julian or St John of the Cross.

 

So how do we get these glimpses of the divine?  I think that they can happen in many spheres of our lives.  Take the arts for instance.  I think when we hear an outstanding performance of a great work of music we can perceive something of the divine. Harry Williams wrote: Òart, when true to itself, attempts to bring into the sharpest possible focus some aspect or other of reality, how it threatens and ennobles, destroys and creates, its tragedies and triumphs, thus waking us up from our comfortable dreams and consoling illusions Ð or maybe from our nightmares.

 

I remember hearing a Story about Bishop Charles Gore who had just heard a performance of one of BachÕs Brandenburg concertos. His almost unconscious comment on the music showed where it had led his thought: Òif that is true, everything must be all right.Ó

 

I like the remark of a German pastor who said, Òwhen the angels play music for God they play Bach and when they play for themselves they play Mozart and God eavesdrops.Ó

 

Harry Williams also wrote: Òwherever reality of any kind is revealed there God must be. For it is only in his light that we can see light, which means also that it is only in his light that we can perceive darkness.Ó

 

Paintings can also transport us to a different kind of reality:

I find that some of TurnerÕs paintings have that effect on me, and also a painting of the Crucifixion by Grunwald, which graphically portrays Jesus suffering. Perhaps it is the timeless quality of such masterpieces that gives us a glimpse of the divine.

 

This can I believe be equally true of nature and buildings; that poem of Gerald Manley Hopkins catches the wonder and splendour of nature Ð glory be to God for dappled things Ð for skies of couple colour as a brinded cow; for rose-moles all in stipple upon trout that swim; fresh-firecoal chestnut-falls; finchesÕ wings; landscape plotted and pieced Ð fold fallow and plough; and all trades, their gear and tackle and trim.

Our ancient cathedrals and churches like ours where worship has been conducted for centuries can convey the sense of the numinous.

 

People too can give us illumination and set us going in different life-changing directions, seeing things in us which we only half guessed.

 

As I said earlier the spoken or written word can give us that flash of insight. We can suddenly see in a very familiar passage of scripture something new that Strikes us, and gives us a new understanding of the meaning of the passage.

Perhaps the most striking description of this flash comes in St AugustineÕs Confessions.  He was reading a passage from the epistle to the Romans Òput on the lord Jesus Christ and make not provision for the flesh to fulfil the lusts thereof.Ó

Augustine wrote: no further would I read nor did I need to. For instantly even with the end of this sentence, by a light as it were of confidence now darted into my heart, all the darkness of doubting vanished away.Ó That was his Damascus road experience.

 

The challenge for us is to find God in unexpected places and unexpected people.  We can only do this if we approach all our experiences along the road of our spiritual journey with a listening ear, an open mind and a loving heart.  As Jesus said to Thomas, ÒBlessed are those who have not seen and yet have believed.  Amen.